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December 17, 2014 - Anna Kendrick

  • Episode: 20039
  • Views: 13,977

LeBron James and Andrew Hawkins join the police brutality protests, Jessica Williams defends Jay Z's reputation, and Anna Kendrick discusses her film "Into the Woods." (21:26)

>> Jon: WELCOME TO THE DAILY

SHOW, MY NAME IS JONSTEWART.

WE GOT A PROGRAM FOR YOUTONIGHT.

THIS IS-- THIS IS EXCITING,ANNA KENDRICK, OH SHE'S ONE

OF OUR FAVORITES, SHE IS SOGOOD. "INTO THE WOODS",

SHE IS GOING TO BE HERE, VERYTALENTED.

BUT FIRST, YOU MAY HAVE BEENNOTICING THE

JUSTICE SYSTEM'S RECENTCONSISTENT FAILURE TO INDICT

POLICE OFFICERS WHO HAVEKILLED UNARMED BLACK MEN

HAS SPARKED PROTESTS ALLOVER THE COUNTRY.

THE DEMONSTRATIONS HAVEBEEN OVERWHELMINGLY

PEACEFUL.

WHICH MAKES IT VERY DIFFICULTFOR PEOPLE TO COMPLAIN ABOUT

THEM.

DIFFICULT, NOT IMPOSSIBLE.

>> WE HAVE THE RIGHT TOPROTEST, THEY GO ON THE

SIDEWALK AND MAKE NOISE ANDHOLD SIGNS AN LET PEOPLE

KNOW YOU DISAGREE.

BUT WHEN YOU BLOCK TRAFFIC,THAT'S A FORM OF VIOLENCE.

>> Jon: YES!

THANK YOU, BLOCKING TRAFFICIS A FORM OF VIOLENCE.

HOW DARE THESE MARCHERS PUTOUR STREETS IN SOME KIND

OF-- LET'S CALL IT ACHOKEHOLD OF TRAFFIC.

HOW DARE THEY!

WOULDN'T HAVE ANYTHING TODO WITH THE STREETS BEING

BLACK, NOW, DOES IT?

YOU KNOW, IF YOU ARE THATCONVINCED THAT IMPEDING

MANHATTAN DRIVERS IS A FORMOF VIOLENCE, WELL, I THINK IT'S

TIME TO INDICT THE NEW YORKMARATHON.

THE MACY'S THANKSGIVING DAYPARADE, THE PUERTO RICAN DAY

PARADE, THE GAY PRIDE PARADE,THE ST. PATRICK'S DAY PARADE,

THE HALLOWEEN PARADE, THE GERMANAMERICAN STEUBEN PARADE OR ANY

RANDOM POP-UP STREET FAIRSELLING MYSTERY MEATS AND

TUBE SOCKS, AND I HAVEN'TEVEN GOTTEN TO THE MOST

VIOLENT OF OFFENDERS.

PLEASE, THAT TREE IS LIKE AGLITTERING BERLIN WALL

PREVENTING ANY MOVEMENT FROMEAST TO WEST.

MR. CLAUS, TEAR DOWN THATTREE.

(APPLAUSE)BUT IT'S ONE THING FOR

PROTESTORS, IT'S ONE THINGFOR PROTESTORS TO DO

VIOLENCE TO OUR CITY STREETSAND TRAFFIC.

IT IS QUITE ANOTHER FOR THEMTO USE EXCESSIVE FORCE

AGAINST CHRISTMAS ITSELF.

>> IT IS CREATING HAVOC.

AND WE'VE GOT TWO WEEKS BEFORECHRISTMAS.

DO YOU THINK THIS IS GOINGTO HAVE SOME IMPACT-- I MEAN

WHO WANTS TO GO SHOPPING ATMACY'S WHEN THIS IS GOING ON.

>> Jon: PROTESTORS PREVENTINGPEOPLE FROM SHOPPING AT MACY'S.

I HOPE THESE SHOPPERS SHALLOVERCOME.

NOW THAT'S-- YES, I CAN'TBUY-- YES, YES, BLACK FRIDAY

MATTERS.

IT DOES.

THE PROTESTS HAVE EVENSPILLED OVER INTO

PROFESSIONAL SPORTS.

>> ATHLETES DONNING T-SHIRTSEXPRESSING A DESIRE FOR

JUSTICE.

NOW LAST TIME I CHECKED,T-SHIRTS DON'T BLOCK

TRAFFIC.

THEY DON'T PREVENT FROM YOUSHOPPING AT MACY'S.

THEY SHOULD BE A PERFECTLYACCEPTABLE WAY TO EXPRESS

ONE'S FEELINGS ABOUTPOLITICAL ISSUES.

>> I WONDERED TO MYSELF,WHAT IF LEBRON JAMES INSTEAD

HAD A SHIRT BE A BETTERFATHER TO YOUR DAD.

I MEAN BE A BETTER FATHER TOYOUR SON.

RAISE YOUR CHILDREN.

THOSE DIFFICULT ISSUES ARENOT BEING DEALT WITH BY THE

BLACK COMMUNITY.

>> Jon: WELL, BE A BETTERFATHER.

LEBRON ACTUALLY LIVES THATMESSAGE.

AND IF HE WANTS ADVICE ONSHIRTS I'M SURE HE WILL ASK

SOMEONE WHO WEARS ONE.

BUT POINT TAKEN.

POINT TAKEN-- NO, NOW-- WEHAVE TO RESPECT THE POINT.

I MEAN OBVIOUSLY ONE OFTHESE TWO MEN HAS FIVE KIDS

IN VARIOUS LOCATIONS BYMULTIPLE BABY MOMMAS.

AND THE OTHER IS LEBRONJAMES.

BUT OBVIOUSLY, GERALDO ISN'TTHE ONLY ONE UPSET ABOUT

THE T-SHIRT PROTESTS.

>> THE CLEVELAND POLICEUNION DEMANDS AN APOLOGY

FROM THE CLEVELAND BROWNS.

ONE OF THE BROWNS PLAYERSANDREW HAWKINS WALKED ONTO

THE FIELD ON SUNDAY WEARINGTHIS T-SHIRT.

IT CALLED FOR JUSTICE FORTAMIR RICE.

THE POLICE UNION SAYS THETEAM SHOULD STICK TO WHAT IT

KNOWS BEST AND THAT WOULD BEFOOTBALL.

>> Jon: WAIT.

STICK TO WHAT THEYKNOW BEST FOOTBALL?

WE'RE TALKINGABOUT THE CLEVELAND BROWNS,

RIGHT?

I MEAN-- (LAUGHTER)

RANDOM CHEAP SHOT AT THECLEVELAND BROWNS.

LOOK, IT'S NOT AS IF THEREISN'T A CONVERSATION

WARRANTED ABOUT THECLEVELAND POLICE DEPARTMENT

BY T-SHIRT OR OTHERWISE.

>> CLEVELAND'S POLICE FORCEHAS BEEN UNDER FEDERAL

INVESTIGATION SINCE 2013.

THE JUSTICE DEPARTMENTEXAMINED OVER 600 CASES

>> THE CLEVELANDDIVISION OF PUBLIC POLICE

ENGAGES IN A PATTERN ANDPRACTICE OF USING EXCESSIVE

FORCE.

>> Jon: WELL, I GUESS THEONLY DIFFERENCE IS WHEN

FOOTBALL PLAYERS USEEXCESSIVE FORCE, THEY GET

PENALIZED.

AND IF THAT-- 15 YARDS, AM IWRONG?

(LAUGHTER)AND IF THAT FOOTBALL

PLAYER DISRESPECTED THEOFFICER WHO SHOT AND KILLED

TAMIR RICE, A 12-YEAR-OLDHOLD A BB GUN WITHIN 2

SECONDS OF ROLLING UP ON HIM,YOU SHOULD HEAR WHAT THIS

OFFICER'S FORMEREMPLOYER SAID ABOUT HIM.

>> AT HIS PREVIOUS JOB THEINDEPENDENCE POLICE DEPARTMENT,

OFFICER LOEHMANN'S PERSONNEL

RECORDS SHOW HE WAS IN THEPROCESS OF BEING FIRED.

HIS SUPERVISOR DESCRIBING ANEMOTIONAL MELTDOWN.

>> ADDING THAT HE WOULD NOTBE ABLE TO SUBSTANTIALLY

COPE OR MAKE GOOD DECISIONSDURING OR RESULTING FROM ANY

OTHER STRESSFUL SITUATION.

>> BUT THE CLEVELAND POLICENEVER ASKED TO SEE LOEHMANN'S

PERSONNEL RECORDS.

>> Jon: EVEN WITHOUT READINGHIS RECORD, THEY SHOULD HAVE

REALIZED SOMETHING WAS WRONGWHEN THEY MET HIM.

>> THESE BABIES CAN GO OFF.

>> Jon: SO WHY SHOULDN'T-- WHYSHOULDN'T THE CLEVELAND

BROWNS OR ANY OTHERCLEVELAND CITIZEN TALK ABOUT

A HUGE AND ULTIMATELY FATALDEPARTMENTAL SCREW UP?

>> THE CLEVELAND POLICEUNION HEADS ARGUED ATHLETES

HAD NO BUSINESS WEIGHING INAT ALL SAYING QUOTE IT IS

PRETTY PATHETIC WHEN ATHLETESTHINK THEY KNOW THE LAW.

>> Jon: I GET WHERE YOU'RECOMING FROM.

DUMB OLD FOOTBALL PLAYER.

I CATCH A BALL WHILE WEARINGA SHELL ON MY HEAD!

I MEAN SERIOUSLY.

WHAT MAKES THIS GUY THINKHE'S GOT AN OPINION WORTH

SHARING ON THIS COMPLICATEDISSUE?

AND THAT HE, THE FOOTBALLPLAYER, SHOULDN'T APOLOGIZE.

>> MY MOMMA'S TAUGHT ME MYENTIRE LIFE TO RESPECT LAW

ENFORCEMENT.

I HAVE FAMILY, CLOSE FRIENDSWHO ARE INCREDIBLE POLICE

OFFICERS.

AND I TELL THEM ALL THE TIMEHOW THEY ARE MUCH BRAVER

THAN ME FOR IT. UNFORTUNATELY,MY MOM ALSO TAUGHT ME THAT

JUST AS THERE ARE GOODPOLICE OFFICERS, THERE ARE

SOME NOT SO GOOD POLICEOFFICERS THAT WOULD ASSUME

THE WORST OF ME WITHOUTKNOWING ANYTHING ABOUT ME,

FOR REASONS I CAN'T CONTROL.

TO ME JUSTICE MEANS THAT THEINNOCENT SHOULD BE FOUND

INNOCENT.

IT MEANS THAT THOSE WHO DOWRONG SHOULD GET THEIR DUE

PUNISHMENT.

ULTIMATELY, IT MEANS FAIRTREATMENT.

SO A CALL FOR JUSTICESHOULDN'T OFFEND OR

DISRESPECT ANYBODY.

A CALL FOR JUSTICE SHOULDN'TWARRANT AN APOLOGY.

(APPLAUSE)>> Jon: WE'LL BE RIGHT BACK.

>> Jon: WELCOME BACK!

YOU KNOW, I DON'T WANT TO LETYOU IN ON A LITTLE INSIDE TIP,

YOU KNOW, THE LINGO OF THEBUSINESS, BUT A

LITTLE THING IN THE NEWSBUSINESS, WE CALL IT TEASE,

A TEASER.

YOU WANT TO ENTICE VIEWERS TOWATCH THE NEXT SEGMENT.

BUT YOU'VE GOT TO KEEP THEMTHERE THROUGH THE COMMERCIAL.

SO YOU WANT TO ENTICE THEMWITHOUT GIVING AWAY WHAT IS

GOING TO HAPPEN.

>> LATER IN THE WAKE OF THENEW YORK GRAND JURY DECISION

NOT TO INDICT AN NYPDOFFICER IN THE DEATH OF ERIC

GARNER, THE GOVERNOR OF NEWYORK ANDREW CUOMO THOUGHT IT

WAS APPROPRIATE TO TAKE SOMEADVICE FROM A GUY THAT

ADMITS THAT HE SOLD CRACK ANDWAS A DRUG DEALER AND

ACTUALLY SHOT SOMEBODY, ANDWE'LL TELL YOU WHO IT IS AS

WE CONTINUE-- .

(LAUGHTER)>> Jon: THIS IS GOING TO

DRIVE ME CRAZY.

I DON'T KNOW WHO IT IS!

I'M GOING GO WITH JAY Z?

YOU KNOW, CAUSE OF THE PHOTOOF JAY Z?

YOU HAVE UP ON THE SCREENTHERE FOR A REALLY LONG

TIME.

OR PERHAPS THAT'S JUST PARTOF THE INTRICATE MISDIRECT.

BUT, YOU KNOW, I WAS ALSOINTERESTED IN MR.

HANNITY'S DESCRIPTION OF MR. Z.

>> A GUY THAT ADMITS THAT HESOLD CRACK AND WAS A DRUG

DEALER AND ACTUALLY SHOTSOMEBODY.

>> Jon: SO THAT'S THE TEASE.

JAY Z, CRACK DEALER.

TELL US MORE.

>> I WANT TO TALK ABOUTJAY Z, LET'S GO TO HIS

AUTOBIOGRAPHY.

I SOLD CRACK TO ADDICTS WHOWERE KILLING THEMSELVES,

COLLECTING THE WRINKLEDBILLS THEY GOT FROM GOD

KNOWS WHERE AND MAKING SURETHEY GOT THEIR ROCKS TO

SMOKE.

WHY WOULD THE GOVERNOR PICKHIM?

HE CAN'T DO BETTER THAN THEFORMER CRACK DEALER?

>> Jon: [BLEEP] MAN, LIKE, IDON'T EVEN KNOW WHAT

TO DO HERE. IT'S SO OVERTHE LINE. IT'S SO --

>> JON, JON, JON STOP IT.

>> Jon: WHAT THE, JESSICAWILLIAMS!

>> HI.

(CHEERS AND APPLAUSE)>> Jon: HOW DID YOU-- WHAT

DID YOU-- HOW DID -- OH ARE YOUHOT?

>> YEAH.

>> Jon: I DIDN'T REALIZE YOUWERE HOT.

>> I'M A HOT MAMA.

>> Jon: OH YOU ARE A HOT MAMA.NO, I WAS, I WAS JUST

TRYING TO -->> YOU KNOW WHAT IT WAS,

I SENSED THAT YOUNEEDED SOME HELP.

>> Jon: I DO.

I MEAN CRACK DEALER,JAY Z --

>> SHH. NUH-UH, JON. STOP.

>> Jon: OH, ARE YOU ALRIGHT?ALL RIGHT.

>> IT'S ALL RIGHT, IT'S ALLRIGHT.

MOMMA'S HERE.

>> Jon: ALRIGHT. I MEAN -->> ON THIS CHAIR.

>> Jon: HOW YOU CAN SAY THATABOUT JAY-Z?

ALL THAT HE HASDONE FOR HIMSELF.

HE IS NOW THE ILLESTLYRICIST.

>> WOAH, OKAY, NUH-UH, STAY INYOUR LANE, OLD MAN.

>> Jon: YOU'RE SAYING ISHOULD CHECK MYSELF.

>> OKAY, SHUT IT DOWN, STOP,STOP.

>> Jon: ALL RIGHT. ALL RIGHT,I'M JUST --

>> BUT ARE YOU RIGHT, JON.HOVA HAS DONE QUITE A FEW

OTHER THINGS SINCE HISDEALING DAYS. YOU THINK THAT

WOULD HAVE IMPRESSED PEOPLE ONFOX BECAUSE WE ALL KNOW HOW MUCH

THEY LIKE TO PREACH TO BLACKFOLKS ABOUT RESPONSIBILITY

AND SELF-IMPROVEMENT ANDABOUT WHAT IS WRONG WITH THE

BLACK COMMUNITY.

>> BLACK PEOPLE NEED TO STEPUP AND START ACTING LIKE

FIRST CLASS CITIZENS.

>> TO DAVID'S POINT WHAT HEWAS TALKING ABOUT IN THE

AFRICAN-AMERICAN COMMUNITY,THERE SIMPLY IS NO FATHER IN THE

FAMILY.

>> YOU HAD ME ON THE FACTTHAT BLACK PEOPLE HAVE TO

CLEAN UP THEIR OWNCOMMUNITIES.

>> WHAT HE NEVER MENTIONED WASTHE OUT OF WEDLOCK BIRTH

RATE IS OVER 70%.

>> THE DESERTION RATE FORAFRICAN-AMERICAN MEN,

ASTRONOMICAL.

>> THIS PRESIDENT COULD BE APHENOMENAL ROLE MODEL WITHIN

THE AFRICAN-AMERICANCOMMUNITY TO SAY GET MARRIED,

STAY MARRIED, BE THERE FORYOUR KIDS.

>> THEY NEED TO STAY OUT OFTROUBLE WITH THE LAW.

THEY NEED TO STAY OUT OF TROUBLEWITH THE LAW,

THEY NEED TO PULL UP THEIRPANTS AND FINISH SCHOOL.

>> I MEAN, LOOK, JON, IF YOUGO OVER THEIR BLACK MALE TO

DO LIST JAY Z HAS IT COVERED.

GOOD JOB, CHECK, STABLEMARRIAGE, CHECK.

I MEAN, YEAH, I MEAN SURE IT HASITS UPS AND DOWNS, KIND OF LIKE

AN ELEVATOR.

IS HE A GOOD FATHER, CHECK.

AND HE'S NOT JUST PULLINGHIS PANTS UP, THE GUY

ACTUALLY SELLS BELTS.

THAT'S HOW DEVOTED HE IS TOTHE CAUSE OF RAISED PANTS!

(APPLAUSE)>> Jon: IT'S TRUE.

>> JON, JAY Z IS THE GUYTHEY KEEP SAYING THEY WANT

ALL OTHER BLACK GUYS TO BE.

BUT TO THEM HE'S STILL JUSTA CRACK DEALER.

>> Jon: AND IT IS APPALLING. ANDHIS WIFE IS THIS POWERHOUSE --

>> OKAY, STOP. NO, STOP, YOUHAVE

NOTHING TO ADD ABOUT HER.

DO NOT BRING HER INTO THIS.

THE ONLY THING I CAN IMAGINEIS THAT FOX HAS A NEW RULE

WHERE PEOPLE MUST BE LABELEDACCORDING TO THE WORST THING

THEY'VE EVER DONE.

AND IF THAT'S THE CASE THENWE'RE GOING TO HAVE TO FIX SOME

CHYRONS ON FOX NEWS. SO LET'SSTART WITH OJ DETECTIVE MARK

FUHRMAN, HE HAD HAS BEEN ONFOX A LOT SINCE FERGUSON BUT

THEY ALWAYS FORGET TO LABELHIM PROPERLY.

AND WHAT ABOUT RUSH LIMBAUGH,THE CONSERVATIVE PATRON

SAINT? HE IS NOT JUST ARADIO HOST NOW.

HE IS A PRESCRIPTION DRUGADDICT.

>> Jon: YOU KNOW IT SEEMSHARDLY FAIR TO DO THIS, THOUGH?

>> WHY NOT?

>> Jon: YEAH, YOU'RE RIGHT, IT'SFINE.

(APPLAUSE)>> AND REMEMBER, JON,

THEY'RE CALLING JAY Z ACRACK DEALER NOT BECAUSE HE

WAS CONVICTED.

HE JUST TALKED ABOUT IT INHIS MUSIC SO, BY THAT

STANDARD THEN THEIR BOY TEDNUGENT DEFINITELY NEEDS A NEW

CREDIT.

(LAUGHTER)WE KNOW, WE KNOW THAT OLLIE

NORTH DID TERRIBLE THINGSFOR REAGAN AND I DON'T EVEN

KNOW WHO THIS BALD MOTHER[BLEEP] IS BUT HE CLEARLY HAS A

RAP SHEET LONGER THAN ANYRAPPERS.

>> Jon: NO, NO, NO.THAT IS ACTUALLY G. GORDON

LIDDY WAS A WATERGATECO-CONSPIRATOR --

>> STOP IT. STOP IT. I'M ALREADYBORED. STOP IT, STOP IT.

>> Jon: FROM THE '70s. OKAY, I'MJUST GONNA STAY IN MY LANE.

>> STOP. OKAY, STAY IN YOURLANE.

JON-- .

>> Jon: O -- H TO THE O -->> IN YOUR LANE, IN YOUR

LANE.

>> Jon: THAT'S GOOD.I'M GOOD. EVERYTHING IS GOOD.

>> DON'T HURTYOURSELF. IS IT, THOUGH?

HERE'S WHAT I'M SAYING, JON.

FOX NEWS HAS 99 PROBLEMS BUTJAY Z AIN'T ONE.

>> Jon: THANK YOU, JESSICAWILLIAMS.

>> THANK YOU.

>> Jon: JESSICA WILLIAMS.

WE'LL BE RIGHT BACK.

(CHEERS AND APPLAUSE)>> Jon: WELCOME BACK, MY

GUEST TONIGHT, SHE'S A GOOD ONE,HER NEW MOVIE IS CALLED

"INTO THE WOODS."

>> ♪ HE'S A VERY SMART PRINCE.

♪ HE'S A PRINCE WHO PREPARES.

♪ KNOWING THIS TIME I WOULDRUN FROM HIM.

♪ HE SPREAD PITCH ON THESTAIRS.

♪ AND I'M CAUGHT UNAWARES.

♪ WELL, IT MEANS THAT HE CARES.

♪ THIS IS MORE THAN JUSTMALICE.

♪ BETTER STOP AND TAKE STOCKWHILE YOU'RE STANDING HERE

♪ STUCK ON THE STEPS OF THEPALACE.

>> Jon: ♪ WITH MALICE.

PLEASE WELCOME ANNAKENDRICK.

COME ON.

NICE TO SEE YOU.

>> NICE TO SEE YOU! THANK YOUFOR HAVING ME.

THANK YOU FOR HAVING ME.

>> Jon: YOUNG -- LET ME TELL YOUTHIS.

>> YES.

>> Jon: AND I SAY THIS TOYOU, CONGRATULATIONS.

>> THANK YOU.

>> Jon: YOU'RE VERY WELCOME.

>> THAT'S VERY SWEET.>> Jon: IT'S WHAT I DO.

>> YOU KNOW, JUST ON BEING, JUSTON BEING HERE? LIVING LIFE?

>> Jon: NO, CONGRATULATIONSON THIS FILM, THIS "INTO THE

WOODS," THE "PITCH PERFECT,"THE ONLY THING I WONDER IS

ARE YOU CONCERNED, AT ALL.

>> YEAH.

>> Jon: WITH BEING TYPE CASTAS A HUGELY TALENTED

MULTIDIMENSIONAL STAR?

AND BECAUSE OF THAT,SHOULDN'T YOU SUCK IN

SOMETHING?

>> I SUCK -->> Jon: TO TRY AND --

>> I SUCK AT PLENTYOF STUFF.

>> Jon: OH, STOP IT!>> OH YEAH.

>> Jon: STOP IT! I WON'THAVE THAT TALK FROM YOU.

>> I CAN'T COOK, I'M TERRIBLE ATMATH.

YOU KNOW, THERE'S TONS OF STUFFI'M BAD AT.

>> Jon: NOW, THE COOKING THINGIS INTERESTING --

>> YEAH.>> Jon: BECAUSE IS IT

SOMETHING YOU DON'T CARETO DO, OR IS IT --

>> I WANT TO LEARN.

I'M NERVOUS ABOUT BURNINGTHE HOUSE DOWN BUT I DO WANT

TO LEARN.

>> Jon: THERE IS A PLACE INBETWEEN --

>> WHERE IT'S JUST BAD?>> jon: BEING AN OKAY COOK

AND NOT DESTROYING YOURHOUSE.

>> OKAY.

THAT'S GOOD NEWS.

>> Jon: EXACTLY.

>> FINGERS CROSSED, YEAH.

>> Jon: I KNOW.

DID YOU-- THE SINGING ASPECTOF IT IS THE PART THAT IS

SOMEWHAT ASTONISHING.

>> YEAH.

>> Jon: WHICH CAME FIRST,THE LOVE OF THE DRAMA, THE

LOVE OF THE SONGS?

WHICH -->> WELL, I MEAN WHEN I WAS

LIKE FIVE YEARS OLD I THINK,I WASN'T LIKE PERFORMING

HAMLET IN THE BATHROOMMIRROR.

IT WAS MORE, TLC IN THEBATHROOM MIRROR.

BUT I MEAN I'M SO HAPPY TOBE DOING THESE FILMS THAT I

GET TO DO BOTH.>> Jon: RIGHT.

I FEEL LIKE I'M PROBABLYGOING SHOW UP ON MY NEXT SET

AND JUST TRY TO BURST INTO SONGABOUT SOMETHING.

>> Jon: I THINK YOU SHOULD.

>> I DON'T KNOW HOW TO DO ITANYMORE.

>> Jon: I WISH EVERYTHINGWAS LIKE THAT WHERE YOU WERE

JUST LIKE, YOU KNOW, BEFORE THEINTERVIEW I COULD BE LIKE,

♪ HERE SHECOMES AS AN ACTRESS.

♪ I'M SO NERVOUS TO TALK TOHER.

>> I CAN TELL YOU, THE WEIRDTHING -- .

>> Jon: ♪ PERHAPS SOME WATER.

>> THE WEIRD THING ABOUTLIKE SINGING ON SET AND KNOWING

THAT, YOU KNOW, THE SCENE ISCOMING UP AND IT'S SORT OF

LIKE BEING, YOU KNOW, IF YOUWERE PLAYING A RUNNER IN A MOVIE

YOU WOULD BE STRETCHING ANDSTUFF, SORT OF STAYING WARM.

>> Jon: RIGHT.

>> AND YOU'RE, YOU ARESUPPOSED TO SORT OF KEEP YOUR

VOICE WARM SO YOU AREDOING ALL THESE --

LIKE THESE WEIRD LIKE VOCALSILLY EXERCISES.

FOR YOUR VOICE TO STAY WARM.

>> Jon: THAT'S WHAT YOU'RETELLING PEOPLE?

>> YES. AND SOME OF THE, SOMEOF THE LIKE THE CREW MEMBERS

WOULD HEAR ME, I WOULD JUST BESORT OF SITTING, YOU KNOW,

WAITING TO GO SHOOT A SCENE ANDGO HA, HMMMM, AND THEY

WOULD BE LIKE ANNA, CAN WE GETYOU SOMETHING?

LIKE I'M, LIKE I'M, LIKE I'MREALLY BAD AT BEING EXASPERATED.

LIKE I'M NEW TO PASSIVEAGGRESSION.

AND I'M LIKE -- IT'S REALLYCOLD IN THIS ROOM.

I WILL HAVE A WATER.

>> Jon: THAT WAS JUST A WAY,LIKE A HUM. YOU JUST GO --

I COULD USE A LITTLE WATER BUTINSTEAD YOU MAKE A NOISE.

BUT-- DO THEY -- DO YOU HAVETO SING IT EVERY TAKE OR IS

THAT A TRACK, HOW DO THEYFILM SOMETHING LIKE THAT?

>> WE DID A LITTLE BIT OFBOTH.

SO THERE ARE SCENES WHEREI'M SINGING LIVE AND THAT

WAS REALLY GREAT.

BUT I AM IN A VERY, VERYLEGITIMATE CORSET SO SOME OF

THAT STUFF WHERE I'M RUNNING UPAND DOWN THE STAIRS, I JUST

I CAN'T SING SONG ON TIME IN ACORSET RUNNING UP AND DOWN

REAL STEPS.

>> Jon: CAN'T THEY DO THAT --LIKE DO THEY REALLY HAVE TO LACE

YOU INTO, CAUSE THOSE ARE LIKEA TORTURE DEVICE.

>> NO JOKE. OH YEAH, AND YOU'RESTUCK IN THERE AND IT IS, IT'S

LIKE BEING TEMPORARILYASTHMATIC SO JUST --

>> Jon: YOU JUST, YOU CAN'TGET A BREATH.

>> THE SIMPLEST THINGSBECOME SIGNIFICANTLY MORE

DIFFICULT.>> Jon: YEAH.

>> AND THERE WAS-- YOU KNOWTHAT THING WHEN ARE YOU A

LITTLE KID, AND SOMEBODY ISTICKLING YOU AND IT'S REALLY

FUN AND SUDDENLY ARE YOUSCREAMING FOR MERCY?

AND THIS WAS-- THERE WAS ADAY THAT CHRIS PINE, CHRIS

PINE IS SO FUNNY IN THISMOVIE AND HE WAS MAKING

ME LAUGH ON SET.>> Jon: YEAH.

>> AND IT IS GOING WELL AND IWAS THINKING OH LOOK AT THIS

IT'S LIKE BEHIND THE SCENES, ANDTHE ACTORS ARE HAVING FUN.

GETTING TO KNOW EACH OTHER.>> Jon: YEAH, YEAH, YEAH. RIGHT.

>> OH THAT CHRIS PINE.>> Jon: YEAH.

>> AND SUDDENLY I WAS SCREAMINGTHAT I WAS DYING.

AND I WAS LIKE CRYING AT THECORSET TO GET OUT OF IT.

AND THEY LET YOU OUT AND ITTAKES A MINUTE.

AND THEN, YOU KNOW, I WASDISHEVELED BUT NOT DYING.

AND HAD-- YOU KNOW,APPARENTLY SAYING LIKE OH, CHRIS

WAS DOING THIS REALLY FUNNYSOUTHERN ACCENT, IS NOT LIKE

AN ACCEPTABLE EXCUSE FORHOLDING UP THE SHOOT.

>> Jon: BUT IT SOUNDS LIKE, ITSOUNDS LIKE YOU WERE WORRIED

THAT YOU DISAPPOINTED THEM FORNOT BEING IN AN ACTUAL MEDICAL

EMERGENCY.

>> WELL, YOU DON'T WANT TOBE THE GIRL WHO CRIED WOLF,

I GUESS.

>> Jon: RIGHT. NO, YOU JUST WANTTO BE THE GIRL WITHOUT MAKES

WEIRD NOISES AND WANTSWATER.

THE THING ABOUT, THOUGH, THESINGING, WHAT IS THE

APPROPRIATE RESPONSE FROM ACREW, LIKE BECAUSE ACTING

AFTER A SCENE, YOU DON'THAVE TO APPLAUD.

BUT TRADITIONALLY FOLLOWINGA SONG, YOU SHOULD APPLAUD.

DOES THE CREW AT A CERTAINPOINT GO SURE, OKAY?

>> NO.

>> Jon: WHAT IS THE PROTOCOLFOR THAT?

>> THERE IS NO-- THERE IS NOCLAPPING OR ANYTHING BUT YOU

KNOW IT WAS NICE TO HEAR THECREW LIKE THE WHOLE NEXT

WEEK SINGING YOUR SONG LIKEAS THEY ARE DOING WORK, LIKE

HUMMING A PIECE OF YOUR SONG,AND I WAS LIKE, SEE?

>> Jon: REALLY? SO THERE'S LIKE,THERE'S A TEAMSTER.

>> LIKE KENNY THE GRIP ISLIKE, HE'S VERY SMART

PRINCE. IT WAS LIKE --

>> Jon: THAT MUST HAVE BEENLIKE -- I JUST THINK THAT WOULD

BE SO MUCH FUN. LIKE IT'SHARD TO HAVE A [BLEEP] DAY

ON A MUSICAL IT WOULD SEEM.BECAUSE EVERYBODY,

LIKE NO MATTER HOW BADARE YOU FEELING, IT'S LIKE

OKAY, TWO, THREE, FOUR ANDYOU HAVE TO JUMP IN.

>> YEAH. I MEAN, THIS MUSICALIS -- THE FIRST HALF OF IT IS

THE FAIRY TALES AS YOU KNOWTHEM SO THAT IS FUN.

>> Jon: SURE.

>> AND IT'S SO FUNNY AND ALIVEAND AMAZING.

AND THEN THE SECOND HALF ISSORT OF WHERE THINGS FALL

APART AND IT IS SORT OFABOUT HOW FAIRY TALES ARE

DISHONEST AND THEY TELL USTHAT THINGS IN OUR LIVES ARE

GOING TO BE SIMPLE AND THEYAREN'T.

AND SO THE SECOND HALF OF THEFILM SOME ABOUT-- .

>> Jon: CAN YOU JUST ONE SECOND,JUST ONE SECOND.

BECAUSE MY DAUGHTER ISPROBABLY WATCHING.

SHE'S [BLEEP] KIDDING.(LAUGHTER)

IT'S ALL -- JUST GO-- GO TO BED,HONEY.

>> THINGS ARE COMPLICATED BUTTHEY'RE GOING TO BE OKAY.

>> Jon: LIFE'S A DREAM,SWEETIE.

GO TO BED.

IT'S NICE HAVING YOU ON THEPROGRAM, ANNA.

(LAUGHTER)

BUT CONGRATULATIONS ONEVERYTHING.

IT IS REALLY WONDERFUL.AND LIKE I SAID, I MEAN,

WE THINK YOU ARE GREAT INEVERYTHING.

>> THANK YOU.

>> THANKS FOR BEING HERE, WEAPPRECIATE IT.

>> THANK YOU.

>> "INTO THE WOODS". ITOPENS ON CHRISTMAS DAY

WHICH I HEAR IS A GOOD DAY FORMOVIE GOING.

ANNA KENDRICK, EVERYBODY.

>> THAT'S OUR SHOW, HEREIT IS, YOUR MOMENT OF ZEN.

>> THE NEWEST MEMBER TO THETAYLOR COUNTY SHERIFF'S

DEPARTMENT MAY NOT LOOKLIKE YOUR AVERAGE DEPUTY.

>> HEY, DEPUTY TAYLOR, HOW AREYOU DOING TODAY?

>> SADLY, THE NEWEST EDITIONTO THE FORCE WON'T BE

STAYING FOR LONG BUTACCORDING TO GRIFFEN, HE

WILL BE BACK FOR MANY MOREYEARS TO COME.

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