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January 22, 2015 - Jennifer Aniston

  • Episode: 20052
  • Views: 196,948

The World Economic Forum kicks off in Switzerland, MetLife sues the federal government, Trevor Noah reports on Boko Haram, and Jennifer Aniston discusses her film "Cake." (21:27)

>> Jon: WELCOME TO THE

"DAILY SHOW."

MY NAME IS JON STEWART.

MY GUEST TONIGHT-- OH, MAN.

YOU GOTTA SEE THIS MOVIE.

YOU GOT TO SEE HER PERFORMANCEIN THIS MOVIE.

JENNIFER ANISTON IS GOING TO BEJOINING US IN THIS FILM CALLED

"CAKE."

IT'S DELICIOUS.

NO, SHE'S -- SHE'S UNBELIEVABLEIN IT.

BUT FIRST, IF YOU'RE LIKE ME--NO?

ALL RIGHT?

YOU WOKE UP THIS MORNING WITH ADIFFICULT-TO-ARTICULATE SENSE OF

PANIC, A KIND OFDIRECTIONLESSNESS, AS THOUGH

HALF OF OUR WEALTH AND ALMOSTALL OF OUR POWER WAS UNACCOUNTED

FOR IT WITH STRANGELY 99.99% OFOUR PEOPLE STILL HERE.

YOU'RE NOT IMAGINING THINGS.

>> THE WORLD'S ECONOMIC FORUM ISUNDER WAY IN DAVOS, SWITZERLAND.

IT IS THE ANNUAL GATHERING OFTHE WORLD'S FINANCIAL AND

POLITICAL ELITE AT THE SWISSRESORT.

>> Jon: AH!

THE WORLD ECONOMIC FORUM. WEF.WEF!

WHERE THE ELITE MEET TO EATPANDA MEAT.

OFF A CALL GIRL'S FEET.

MMM!

TRY TO GET A TABLE.

THAT'S -- MMM.

I WISH THERE WAS ONE PERFECTFACT TO EXPLAIN THE KIND OF

EVENT THE WORLD ECONOMIC FORUMREALLY IS.

>> 1700 PRIVATE JETS AREEXPECTED TO BE USED.

( LAUGHTER )>> Jon: 1700 PRIVATE JETS.

THAT'S WHY THE 2015 FORUM ISBROUGHT TO YOU BY SKY-BIDET.

SKY-BIDETS -- THE WORLD'S LEADERIN PRIVATE JET INTIMATE HYGIENE.

SKY-BIDETS.

YOU WORK HARD, BUT YOUR TAINTSHOULDN'T HAVE TO.

( LAUGHTER )( APPLAUSE )

I'M NOT SURE-- I DON'T KNOW HOWYOUR TAINT WOULD WORK HARD

ANYWAY, BUT STILL.

I MEAN, I CAN'T BELIEVE YOU HAVETO FLY YOUR OWN PRIVATE

PLANE.

CAN'T YOU JUST JET POOL?

AND WHAT IS THE TOPIC OFDISCUSSION THIS YEAR THAT IS SO

IMPORTANT THAT NOBODY COULDWAIT FOR A COMMERCIAL FLIGHT.

>> CLIMATE CHANGE A BIG TOPIC ATTHE WORLD ECONOMIC FORUM.

( LAUGHTER ).

>> Jon: AS IN CAN YOUBELIEVE HOW MUCH CLIMATE WE

CHANGED?

ANY OTHER CONFERENCE TOPICS THATMAY SEEM, WHEN JUXTAPOSED WITH

THE WORLD'S LARGEST FLEET OFPRIVATE JETS, SEEM ACHINGLY

LACKING IN AWARENESS.

>> ONE OF THE BIGGEST ISSUESHERE IN DAVOS IS THE ISSUE OF

GLOBAL INEQUALITY.

>> Jon: OH, YES!

GLOBAL INEQUALITY!

IT'S ACTUALLY THE IN-FLIGHTMAGAZINE OF THE 1700-STRONG

DAVOS JET FLEET.

WHO AM I KIDDING?

COME ON, I'M EXCITED.

COME ON FINANCIAL NETWORKS,INTRODUCE THE INDIVIDUALS ARE

YOU SUPPOSEDLY COVERING ASJOURNALISTS AS THOUGH THEY WERE

SUPERSTARS YOU WOULD DO ANYTHINGTO ( BLEEP ).

>> THE SUPER BOWLS OF BUSINESSGATHERING IN DAVOS.

WE'VE GOT SOME TRUE ALL STARS.

>> THE LINEUP INCLUDES GOLDMANSACHS' LLOYD BLANKFEIN.

>> BLACKROCK'S LARRY FINK.

>> AIG NON-EXECUTIVE CHAIRMANSTEVE MILLER.

>> PLUS CEOS FROM AETNA, DOWCHEMICAL, LENOVO, NOVARTIS,

AND A LOT MORE.

>> Jon: IT'S THE MONSTERS OFMONEY!

WITH SPECIAL APPEARANCES BYMONTGOMERY BURNS.

THE GHOST OF JOHND. ROCKEFELLER.

THE BIBLICAL PERSONIFICATIONOF THE SINFUL LUST FOR WEALTH,

MAMMON.

AN ICE SCULPTURE OF MARIEANTOINETTE WHO'S ( BLEEP )

CAVIAR.

BUT, OF COURSE, THE GET-TOGETHERIS NOT JUST A CELEBRATION BUT A

CHANCE FOR THE POWERFUL TOREFLECT ON HOW THE WORLD HAS

CHANGED SINCE THE DEVASTATINGFINANCIAL COLLAPSE.

THAT MANY OF THEM CAUSED AND AREPROFITING FROM.

J.P. MORGAN CHASE C.E.O. JAMIEDIMON.

>> YOU MADE SOME PROVOCATIVECOMMENTS LAST WEEK.

YOU SAID THAT THE BANK IS UNDERASSAULT FROM REGULATORS.

>> I WAS REFERRING TO THE FACTTHAT THERE ARE LOTS OF DIFFERENT

REGULATORS.

IT'S HARD TO DEAL WITH.

WE'RE GOING TO DEAL WITH IT.

MY JOB IS TO DEAL WITH IT, NOTTO COMPLAIN ABOUT IT.

>> Jon: COMPLAINING ABOUTIT IS JUST MY PASSION.

( LAUGHTER )AND WHILE SOME HAVE CALLED FOR

GIANT BANKS LIKE JP MORGAN TO BEBROKEN UP, JAMIE DIMON

WOULD JUST LIKE TO LET YOUKNOW HOW HARD SOMETHING

LIKE THAT WOULD BE ON US.

>> A LOT OF MY DIRECTORS HAVEMENTIONED TO ME THAT SOME OF

THEIR COMPANIES WERE UNDER SOMEPRESSURE TO BREAK UP AND THANK

GOD THEY DIDN'T.>> RIGHT.

>> THE COMPANY ITSELF WAS A PORTOF SAFETY IN THE STORM.

WE WILL BE A PORT IN THE NEXTSTORM.

AND YOU WANT ME TO BE A PORT.>> RIGHT.

>> YOU WANT ME TO BE HERE.

>> Jon: WHAT'S WITH THE"FEW GOOD MEN" ( BLEEP ).

YOU WANT ME ON THAT WALL STREET!

YOU NEED ME ON THAT WALL STREET!

YOU CAN'T HANDLE THE TRUTH!

WELL, YOU CAN'T AFFORD IT.

IT'S REALLY EXPRENSIVE, THETRUTH.

OF COURSE, NOT ALL THE FINANCIALINSTITUTIONS ARE DEFENSIVE ABOUT

REGULATIONS.

A.I.G. IS TAKING IT VERY WELL.

>> WHETHER WE THINK IT'S A GOODTHING OR NOT, WE'RE GOING TO

LIVE WITH IT AND MAKE THE BESTOF IT.

FOR A COUPLE OF REASONS.

ONE, IT IS A SECOND SET OF EYES.

THE SECOND THING IS WHEN WE GOTO OUR CLIENTS AND BROKERS AND

SO ON AND SAY, "2008 WILL NEVERHAPPEN AGAIN," PART OF THE

ANSWER IS I'VE GOT THE FEDLOOKING OVER MY SHOULDER SO WE

COULDN'T DO '08 AGAINIF WE WANTED TO.

( LAUGHTER )( CHEERS AND APPLAUSE ).

>> Jon: FIRST OF ALL -- NO, NO,NO.

A, WHY WOULD YOU WANT TO?

WE COULDN'T COLLAPSE THE ECONOMYAGAIN IF WE WANTED TO.

NOT THAT WE WANT TO.

AND, ALSO, DO AN '08? IT'S GOODTO KNOW THAT THE FINANCIAL

COLLAPSE HAS FINALLY ACHIEVEDSNOOP LINGO STATUS.

DAMN HOMIE, DID YOU JUST '08THAT ( BLEEP )?

AND WHO JUST LEHMANED IN THEELEVATOR? WHAT'S UP?

SO THIS APPEARS TO BE THEPROBLEM THESE FINANCIAL TITANS

ARE ALL FACING.

THEY KNOW HOW GREAT THEY ARE BUTWE DON'T GET IT BECAUSE WE'RE

STILL REMEMBERING THE COLLAPSEOF THE ECONOMY THAT THEY DID.

SO THE QUANDARY IS, IF YOU'RETHEM, HOW DO YOU GET TO KEEP

CELEBRATING YOURSELF AT PLACESLIKE DAVOS WHILE STILL STAYING

BELOW THE RADAR.

A GREAT EXAMPLE OF THIS IS THECOMPANY METLIFE.

NOW METLIFE IS NOT JUST AREGRETTABLE TATTOO FROM MY

FAVORITE BASEBALL MASCOT.

YOU KNOW, I DIDN'T REALIZE ITHOUGHT HIS WHOLE BODY WAS

BASEBALL. IT REALLYIS JUST HIS HEAD.

THEY'RE ALSO A MASSIVE INSURANCECONGLOMERATE FACING A CHANGING

REGULATORY ENVIRONMENT.

>> REGULATORS HAVE DECLAREDINSURER METLIFE SO BIG

ITS FAILURE COULD DESTABILIZETHE FINANCIAL MARKETS.

>> METLIFE SAYS IT IS NOT TOOBIG TO FAIL.

>> METLIFE IS SUING THE U.S.

GOVERNMENT.

>> Jon: WHAT?

WE'RE NOT THAT BIG AND TO PROVEIT WE ARE TAKING ON THE FEDERAL

GOVERNMENT.

MANO A MANO IN A BATTLE OFEQUALS.

I MEAN, I HOPE WE CAN AFFORD IT.

LOOK, MAYBE GOVERNMENT IS WRONG.

I MEAN, WHO HAS EVEN BEENSPREADING THE IDEA THAT METLIFE

IS SOME GLOBAL ECONOMICCOLOSSUS ANYWAY?

♪ ♪( LAUGHTER )

♪ ♪( LAUGHTER )

>> Jon: OH RIGHT, METLIFEHAS BEEN SPREADING THAT IDEA.

IN PRESENTATIONS TO ITSSHAREHOLDERS.

SO IF METLIFE BELIEVESTHEMSELVES TO BE A GIANT

CONGLOMERATE, WHAT'S THEIRPROBLEM WITH BEING LABELED

SYSTEMICALLY IMPORTANT ANYWAY?

WOULDN'T THEY WANT THAT?

WHY DOES THAT MATTER?

>> NOW, METLIFE MUST INCREASEITS CUSHION OF CAPITAL AGAINST

LOSSES.

>> THEY DON'T WANT TO BE FORCEDTO HOLD EXTRA CAPITAL, WHICH

BRINGS DOWN THEIR PROFITS.>> RIGHT.

>> Jon: AH.

SO BASICALLY, THE GOVERNMENT ISSAYING TO METLIFE, I KNOW YOU

THINK EVERYTHING'S FINE, BUTEXTRA CAPITAL WOULD PROVIDE YOU

SOME -- OH, I DON'T KNOW.

WHAT'S THE WORD I'M LOOKINGFOR -- A CUSHION, A SAFEGUARD?

INSURANCE.

( LAUGHTER )BECAUSE AS A WISE, BALD,

EIGHT-YEAR-OLD FAILED FOOTBALLKICKER ONCE SAID TO ME WHEN HE

WAS TRYING TO GET ME TO BUYSOMETHING -- WELL, WHY DON'T I

LET HIM TELL YOU.

>> I NEVER REALIZED THE WORLDWAS SO FULL OF HAZARDS.

THAT'S WHY THERE'S A COMPANYLIKE MET LIFE, BECAUSE SOMETIMES

THINGS DO GET OUT OF CONTROL.

THAT'S WHY YOU SHOULD GET MET.

IT PAYS.

>> Jon: WAH-WAH-WAH.

WE'LL BE RIGHT BACK.

>> Jon: HEY, EVERYBODY!

WELCOME BACK TO THE SHOW!

I'M SO EXCITED.

YOU KNOW, FROM TIME TO TIME WELIKE TO GET AN INTERNATIONAL

PERSPECTIVE ON CURRENT EVENTS.

MAINLY TO CONFIRM THAT WE REALLYDON'T KNOW ANYTHING ABOUT

INTERNATIONAL EVENTS.

SO WE'RE HAPPY TO WELCOME BACKTO THE PROGRAM OUR SENIOR

INTERNATIONAL CORRESPONDENT FROMSOUTH AFRICA.

TREVOR NOAH IS HERE!

TREVOR!

NICE TO SEE YOU.

>> THANK YOU. THANK YOU, JON.

>> Jon: THANK YOU FOR BEINGHERE.

>> YEAH, OBVIOUSLY, WE'RE ALLSTILL REELING FROM THE TERRIBLE

EVENTS OF JANUARY 7.

>> Jon: OH, RIGHT, NO,THAT'S -- THE "CHARLIE HEBDO"

MASSACRE, PARIS. THAT WAS --

>> OH WELL THAT, TOO, BUT I WASACTUALLY TALKING ABOUT THE BAGA

AND DORON BAGA MASSACRES INNIGERIA.

>> Jon: YES.

BAGA AND DORON BAGA.

ARE THOSE NIGERIAN SATIRICALMAGAZINES? I DON'T --

>> NO, THEY'RE TOWNS, JON.

WELL, THEY WERE TOWNS.

BOKO HARAM DESTROYED THEM ANDKILLED THOUSANDS OF PEOPLE.

>> Jon: YES!

BOKO HARAM.

I'VE HEARD OF THEM.

HASHTAG BRING BACK OUR GIRLS.YES?

>> YEAH, THAT'S RIGHT.

WELL, HASHTAG THEY DIDN'T.

IN FACT, SINCE THEN, BOKO HARAMHAS CAPTURED AN AREA THE SIZE OF

SLOVAKIA.

THAT'S TWO SLOVENIAS.

THAT'S NINE MILLION AMERICANFOOTBALL FIELDS.

>> Jon: HOLY ( BLEEP )!

THAT'S A LOT OF AREA.

I DID NOT REALIZE.

>> YOU KNOW WHAT, AND YOU'RE NOTTHE ONLY ONE, JON.

NOT A SINGLE HEAD OF STATE WENTTO NIGERIA AFTER THE

JANUARY ATTACKS, NOT EVEN OBAMA,AND HE'S AFRICAN.

>> Jon: WELL, WELL, WELL-- HE'S NOT -- AFRICAN AMERICAN.

HE WAS NOT BORN IN AFRICA.

BORN IN HAWAII.

>> OH, YEAH, RIGHT.

YEAH.

( LAUGHTER )I GOT YOU.

I GOT YOU.

>> Jon: ALL RIGHT. WELL, IF ITMAKES YOU FEEL BETTER,

OBAMA DIDN'T GO TOPARIS, EITHER.

>> YEAH, BUT AT LEAST YOU COULDHAVE SENT US JAMES TAYLOR.

WHAT?

AFRICA DOESN'T GET A FRIEND?

( LAUGHTER )>> Jon: SETTLE FOR PAUL

SIMON?

>> OH, OKAY BUT ONLY IF HEPROMISES NOT TO STEAL OUR MUSIC.

HASHTAG BRING BACK OUR SONGS.

LOOK, JON, IN FRANCE, 1.6MILLION PEOPLE MARCHED FOR 12

CARTOONISTS, WHICH IS GREAT.

BUT BY THAT MATH, THE WHOLEWORLD SHOULD HAVE BEEN MARCHING

IN NIGERIA.

LIKE SOMETIMES IT JUST FEELSLIKE AFRICA IS THE VEGAS OF

ISLAMIC TERROR -- WHAT HAPPENSIN AFRICA STAYS IN AFRICA.

>> Jon: THAT WAS ATREMENDOUS ACCENT.

( LAUGHTER )>> THANK YOU.

>> Jon: WELL, YOU KNOW,DOESN'T IT STAY IN AFRICA?

I MEAN, DOES IT REALLY AFFECT USHERE? I MEAN --

>> WELL, YOU'D THINK THAT, JON.

BUT WHAT ABOUT THE UNDERWEARBOMBER?

HE WAS NIGERIAN.

>> Jon: OH, RIGHT.

AND BECAUSE OF HIM, YOU KNOW,NOBODY IS ALLOWED TO WEAR

UNDERWEAR ON AIRPLANES NOW.

>> I-- I THINK YOU ARE.

>> Jon: BETTER SAFE THANSORRY IS WHAT I WOULD SAY.

THE POINT IS THIS, "CHARLIEHEBDO" WAS A DIRECT ATTACK ON

OUR WESTERN VALUES OF FREESPEECH AND EXPRESSION.

>> RIGHT.

AND BOKO HARAM LITERALLY MEANSWESTERN EDUCATION IS FORBIDDEN.

>> Jon: REALLY?

>> YOU SEE, JON, WE'RE FIGHTINGTHE SAME TERRORISM, SO NEXT

TIME, JUST INCLUDE US IN YOURMARCHES.

NIGERIAN SCHOOL GIRLS USEPENCILS, TOO, SO YOU DON'T EVEN

HAVE TO CHANGE THE PROPS.

>> Jon: YOU KNOW, WE'D LOVETO, TREVOR, HONESTLY, THE STATES

WOULD LOVE TO, BUT OUR GLOBALWAR ON TERROR CALENDAR IS SO

FULL BETWEEN THE ISIS, THEY'RETRYING TO SET UP A CALIPHATE

AND -- >> YEAH, AND SO IS BOKO HARAM.

THEY KIDNAP PEOPLE, THEY SELLTHEM INTO SLAVERY.

>> Jon: THAT'S PRETTY ISIS-ISH.

>> YEAH. THEY WEAR THESECOSTUMES.

>> Jon: HOLY ( BLEEP ).

THAT'S ISIS-ISH.

THAT'S LIKE ISIS COUTURE.

>> YEAH. ARAB SPRING COLLECTION,IN FACT.

>> Jon: NICE.

>> THEY EVEN HAVE THE SAME FLAG,JON.

>> Jon: THEY HAVE THE SAME FLAG?

THAT'S JUST LAZY.

>> DON'T YOU SEE, JON, BOKOHARAM IS BLACK ISIS.

>> Jon: THAT SOUNDS LIKETHE MOST AWESOME PAM GRIER MOVIE

EVER.

( LAUGHTER )>> YOU KNOW, JON, BOKO HARAM

MUST FEEL LIKE TYLER PERRY--HUGE NUMBERS BUT NO RECOGNITION.

( LAUGHTER )

>> Jon: LOOK, TREVOR, I GETIT, BUT WE'RE SO BUSY FIGHTING--

>> YOU KNOW WHAT?

THAT'S TOO BAD BECAUSE IF BOKOHARAM IS NOT STOPPED THEY MIGHT

TAKE OVER NIGERIA'S OIL FIELDS?AND --

>> Jon: EH, EH, EH -- NIGERIA'SWHAT NOW?

>> WELL, OIL.

NIGERIA HAS THE WORLD'S TENTHBIGGEST OIL RESERVES,

37 BILLION BARRELS.

( LAUGHTER )>> Jon: IT'S FUNNY.

ACTUALLY AS I THINK ABOUTIT WE DO HAVE AN OPENING

RIGHT AFTER-- I THINK-- INBETWEEN ISIS AND YEMEN,

I THINK WE CAN SQUEEZE YOU IN.

PERHAPS WE CAN HAVE JAMES TAYLOROVER THERE RIGHT AWAY.

ALL WE HAVE TO DO IS CALL AND♪ HE'LL BE THERE, YES, HE WILL

YOU'VE GOT A FRIEND ♪♪>> JE SUIS TOO YOUNG TO KNOW

THAT SONG, BUT THANK YOU.

>> Jon: THANK YOU, TREVOR.

TREVOR NOAH, EVERYBODY.

WE'LL BE RIGHT BACK.

( CHEERS AND APPLAUSE )( CHEERS AND APPLAUSE )

>> Jon: WELCOME BACK.

MY GUEST TONIGHT, SHE'S ANACTRESS -- HER NEW FILM

PHENOMENAL CALLED "CAKE."

>> I INVITE HIM. HIS BOY FORLUNCH.

THE DAY AFTER TOMORROW.

>> WHAT?

>> I MAKE TAMALES.

YOU LOVE MY TAMELES, NO?

>> THAT'S NOT THE POINT! OHJESUS CHRIST.

WELL, WHAT DID HE SAY?

>> HE SAY YES.

>> GOOD.

>> Jon: SHE SEEMS HAPPY ABOUTIT.

( LAUGHTER )PLEASE WELCOME BACK TO THE

PROGRAM, JENNIFER ANISTON.

( CHEERS AND APPLAUSE )JENNIFER ANISTON IS HERE.

( CHEERS AND APPLAUSE )JENNIFER ANISTON IS HERE.

>> HELLO! OH, ARE YOU GOING TODANCE AND SING FOR ME?

>> Jon: OH, I WAS GOING TO DO ALITTLE DANCE AND SING.

I'M GOING TO SING AND DANCE FORYOU BECAUSE THIS IS GOING TO

SEEM LIKE A TROPE,A TALK SHOW TROPE.

BUT I MEAN IT SINCERELY.

THE PERFORMANCE HERE IS SOWONDERFUL-- NOT UNEXPECTED BUT

WONDERFUL.

>> WELL, THANK YOU!

>> Jon: YOU'RE VERYWELCOME.

>> YOU JUST TROPED ME.

>> Jon: I TROPED -- YOU HAVEBEEN TROPED, LADY.

>> I JUST GOT TROPED.

>> Jon: DON'T LET ME MEME YOU.

BECAUSE I WILL MEME YOU ONCE ITROPE YOU.

>> OH PLEASE. THAT'S SO SWEET.

>> WHEN YOU DO THIS, THOUGH,SO IT IS A RISK, TO SOME EXTENT.

>> YEAH.

>> Jon: YOU'RE PUTTINGYOURSELF OUT THERE IN A MANNER

THAT, YOU KNOW, PEOPLE ARE MAYBENOT AS ACCUSTOMED TO SEEING YOU.

>> RIGHT, YEAH.

>> Jon: IS THE MINDSET IJUST FEEL LIKE CHALLENGING

MYSELF?

DO YOU CONSIDER THOSE TYPES OFTHINGS?

WHAT'S THE MINDSET?

>> NO, THE MINDSETIS SCREW IT. I WANT TO --

>> Jon: I DON'T COTTON TO THAT

TYPE OF LANGUAGE?

>> I'M SO SORRY. I WILL NOT -- ILOVE THIS --

I'M NOT GOING TO COTTON TO THATTYPE OF LANGUAGE.

>> Jon: SAY ( BLEEP ) IT ORDON'T SAY ANYTHING.

>> OKAY. I CAN SAY ( BLEEP ) IT?

>> Jon: I THINK SO.

>> OH! SO I SAID ( BLEEP ) IT.

I WANT, I WANTED TO CHALLENGEMYSELF.

I REALLY DID.>> Jon: RIGHT.

>> I WAS READY TO DO IT, AND IWAS TIRED OF-- OF-- I LOVE--

I LOVE COMEDIES.

WE ALL LOVE COMEDIES.>> Jon: SURE.

>> WE LIKE TO LAUGH.

WE WANT TO ESCAPE.

BUT I ALSO KNOW I WANT --THERE'S SO MUCH, IN ALL OF US

ACTORS, I'M SURE, THATWE WANT TO EXPLORE.

>> Jon: RIGHT.

>> AND I WAS JUST READY TODO IT AND THIS CAME ALONG AND

IT WASN'T AVAILABLE SO I HADTO KIND OF WAIT AND WAIT

AND WAIT AND JUST BEG TOGET IN THAT ROOM AND, YOU KNOW--

>> Jon: WHEN YOU SAY "NOTAVAILABLE."

WHAT DOES THAT, WHAT DOES THAT--

>> THAT MEANS IT WAS OFFERED TOANOTHER ACTRESS AT THE TIME.

YEAH.

>> Jon: AND DO YOU HAVE TOWAIT FOR THAT PERSON TO GET ILL?

>> TO SAY NO. I THINK SOMEBODYMAY HAVE KILLED THEM.

>> Jon: NO. THAT CAN'T BE THECASE.

>> NO, NOBODY KILLED ANYBODY.

NO, IT JUST IT DIDN'TWORK OUT. AND SO LUCKILY FOR ME,

I WAS ABLE TO GO AND THROW MYHAT IN THE RING.

AND THEN -- THEN -- THENTHERE, THEN COMES THE FEAR OF,

LIKE, OH, WOW. SOLET'S GET CRACKING.

>> Jon: YEAH. IT'S ANINTENSE -- IT'S A STORY ABOUT

A WOMAN WHO IS IN INTENSEPHYSICAL AND EMOTIONAL PAIN.

SO YOU'RE CARRYING THATTHROUGHOUT IT.

>> YEAH.

>> Jon: BUT YOU HAVE TO DOIT WITHOUT -- WITHOUT

TIPPING IT. IT'S A DIFFICULTPROPOSITION.

>> YEAH, IT WAS TRICKY.

IT WAS A LOT OF LAYERS.

>> Jon: WHICH IS WHY THEYCALL IT --

>> "CAKE."

>> Jon: YEAH. YOU WERE SO FARAHEAD OF ME ON THAT.

IT REALLY WAS--

>> SORRY, I KNOW. IT IS HARD.

>> Jon: YEAH, IT IS HARD.IS THIS -- THIS COMES OUT

THIS WEEKEND.>> TOMORROW.

>> Jon: AND THEN ARE YOU DONEFOR A BIT?

YOU'RE THE HARDEST WORKING LADYIN SHOW BUSINESS.

WHERE DO YOU GO FROM HERE?

>> FROM HERE I GO TO BACKHOME. AND THEN THERE'S THE --

>> Jon: A VACATION.

YOU GOT A VACATION?

>> NO. I HAVE TO GO TO THE SAGAWARDS.

I GOT LIKE -- I GOT-- IGOT THAT'S A FUN NIGHT.

AND THEN THERE ARE A COUPLE OFTHINGS. I JUST WORK.

I LIKE TO WORK.

>> Jon: WHY ARE THERE SOMANY SHOWS TO GO TO FOR AWARDS?

I DON'T THINK I'VE EVER SEEN ANINDUSTRY--

>> SO MANY.

>> Jon: IT'S -- I'VE NEVER SEENANYTHING LIKE IT.

>> I KNOW.

AND I DON'T KNOW WHY -- YOUKNOW, IT'S THAT THING OF --

IT'S NEVER BEEN IN MY SORT OFMY, MY MOTIVATION IS HAVING A

TROPHY.>> Jon: RIGHT.

>> BUT-- BUT IT IS SURE NICEWHEN THEY CALL YOU REALLY EARLY

AND THEY SAY THAT HAPPENED.

>> Jon: HELL YEAH.

>> I JUST NEVER -- I'VE NEVEREXPERIENCED IT REALLY.

>> Jon: DON'T YOU HAVE TOCLEAR OUT THOUGH LIKE ALL OF

DECEMBER, JANUARY, ANDFEBRUARY TO GO TO THESE?

THERE'S ONE OF THESE DINNERSEVERY -- EVERY NIGHT.

>> YEAH.

>> Jon: FOR A VARIETY OFTHINGS.

>> YEAH.

>> Jon: COMEDY I THINK WEDID IT THE RIGHT WAY.

>> YEAH.

>> Jon: WE NEVER-->> NEVER, NO.

THEY JUST GIVE YOU ONE NIGHT ANDGO THAT'S IT FOR YOU, FUNNY

PEOPLE.>> Jon: THEY JUST, YEAH. YEAH.

>> THAT'S ALL WE'RE GIVING YOU.

>> Jon: A SIX PACK AND AHILTON ON THE SIDE OF THE

HIGHWAY IN DETROIT AND THEYJUST SAY, ENJOY,

ENJOY YOUR LIFE.>> I KNOW.

>> Jon: IS IT THE TYPE OFTHING -- WERE THESE ACTORS

THAT YOU'D WORKED WITHPREVIOUSLY?

YOU KNOW, MAMIE GUMMER THESEVERY HIGH-LEVEL--

>> AREN'T THEY JUST --

>> Jon: UNBELIEVABLE.

>> SAM WORTHINGTON. MAMIEGUMMER.

>> Jon: YEAH.

>> ANNA KENDRICK, CHRISMESSINA.

>> Jon: YEAH, YEAH.

BILL MACY.

>> Jon: HAD YOU GUYS ALL --WHEN YOU ALL COME TOGETHER

LIKE THAT -- HAD YOUKNOWN EACH OTHER?

HAD YOU WORKEDTOGETHER BEFORE?

>> I KNEW -- I MEAN, I HAD METFELICITY AND BILL

JUST ALONG THE WAY.

AND ANNA I JUST THINK ISFABULOUS.

SAM I HAD NEVER MET.

>> Jon: RIGHT, RIGHT, RIGHT.

IT'S A VERY INTIMATEEXPERIENCE, THOUGH.

>> AND CHRIS MESSINA AND I GO TOTHE SAME GYM.

>> Jon: YOU AND MESSINA GO TOTHE SAME GYM?

>> YEAH, THAT'S RIGHT.

>> Jon: THAT'S SO WEIRD. I MUSTHAVE JUST MISSED YOU GUYS

BECAUSE I GO TO THAT GYM. WHATIS THAT --

>> DO YOU?

YOU KNOW, I'VE GOT TO TELL YOU,RIGHT BEFORE I I WALKED OUT

HERE THERE ARE TWO HEAVY WEIGHTSOUT, RIGHT OUT HERE.

IS THAT FOR YOU?

>> Jon: YEAH! YEAH!

>> DO YOU JUST KIND OF LIKE,KIND OF PUMP THAT JUST TO GET

ALL READY BEFORE YOU COME OUT --

>> I CAN'T EVEN GET UP IN THE

MORNING WITHOUT LIFTING( BLEEP ).

>> FIRST THING BEING YOURSELF.

>> Jon: DON'T LET WHATAPPEARS TO BE AN OUT-OF-SHAPE

BODY AND SOMEONE WHO IN 15 YEARSHAS GONE FROM BEING YOUNG TO

ERNEST BORGNINE-->> THAT'S NOT TRUE.

>> Jon: I FEEL VERYBORGNINE-ESQUE.

>> THAT'S NOT TRUE.

>> Jon: AND I'M NOT EVEN TALKINGMcHALE'S NAVY.

I'M TALKING, I'M TALKINGSPONGEBOB ERA BORGNINE.

THAT'S WHAT I'M TALKING. I FEELVERY -- JUST RECENTLY --

>> YOU LOOK THE SAME EXCEPT FORSOME LITTLE SALT AND PEPPER

SILVER FOX THING HAPPENING ASYOU DID 20 YEARS AGO.

>> Jon: THAT IS MAYBE THEBIGGEST, BEST LIE ANYBODY HAS

EVER -- THAT'S VERY KIND OF YOUTO SAY.

YOU KNOW WHAT? LET ME TELL YOUTHAT --

>> YOU DID -- YOU HAD DARK -->> THAT WAS YOUR BEST

PERFORMANCE? "CAKE" YOU WEREGOOD IN.

YOU'RE VERY GOOD IN "CAKE."

>> I'M BEING SERIOUS.

>> Jon: BUT THAT -- YOUKNOW, IT WAS INTERESTING,

WE WERE -- THE OTHER DAY -- ICAN'T REMEMBER WHAT IT WAS.

WE WERE IN THE RE-WRITE.

>> YES.

>> Jon: AND I DROPPED MYPEN.

AND EVERYONE FROZE.

>> WHY?

>> Jon: BECAUSE I THINKTHEY WANTED TO SEE LIKE DO YOU

THINK HE'S GOING TO BEND DOWN?>> IF YOU COULD --

>> Jon: DO YOU THINK HE'S GOINGTO GO FOR IT?

BECAUSE HERE'S THE THING -- LET ME SHOW YOU SOMETHING --

>> YOU'RE TALKING LIKE YOU'RE AVERY OLD MAN. OKAY.

>> Jon: ALL RIGHT, SO, RIGHT,SO HERE'S WHAT EVERYBODY'S

WAITING TO SEE?>> OKAY.

>> Jon: SO, IS HE GOING TO GOFOR IT?

>> YES.

>> Jon: OR JUST GO BACK TO THEMUG? EVERYBODY THOUGHT --

>> GO BACK TO THE MUG.

>> Jon: I HAVE MUGS WITH TONS OFPENS.

>> WHAT DID YOU DO?

WHAT HAPPENS IF I JUST DO THAT?

>> Jon: I GO TO THE MUG.>> OH SEE. BUT YOU --

>> Jon: THAT'S WHAT OLD PEOPLEDO.

( LAUGHTER )IT'S A NEW THING.

>> STOP CALLING YOURSELF OLD.

>> Jon: "CAKE."

>> YES, SIR.

>> Jon: IS GOING TO BE INTHE THEATERS TOMORROW.

GO SEE THIS.

YOU'RE GOING TO GET BLOWN AWAYBY THIS.

IT'S WONDERFUL.

>> THANK YOU.

>> Jon: JENNIFER ANISTON, THANKYOU FOR JOINING US.

>> Jon: THAT'S OUR SHOW.

HERE IT IS, YOUR MOMENT OF ZEN.

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